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	<title>Shareef Ayyad &#187; Benjamin Button</title>
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		<title>Creating Brad Pitt at 60, 70 &amp; 80 years old</title>
		<link>http://www.shareefayyad.co.uk/2009/02/24/creating-brad-pitt-at-60-70-80-years-old/</link>
		<comments>http://www.shareefayyad.co.uk/2009/02/24/creating-brad-pitt-at-60-70-80-years-old/#comments</comments>
		<pubDate>Tue, 24 Feb 2009 22:17:16 +0000</pubDate>
		<dc:creator>Shareef</dc:creator>
				<category><![CDATA[CG]]></category>
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		<category><![CDATA[Benjamin Button]]></category>
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		<guid isPermaLink="false">http://www.shareefayyad.co.uk/?p=128</guid>
		<description><![CDATA[A fascinating talk at the TED conference 2009 by Ed Ulbrich, president and digital-effects guru of Digital Domain, on the subject of creating Brad Pitt at ages 60, 70 and 80 for the Oscar-winning film The Curious Case of Benjamin Button. Deeming traditional facial motion tracking inadequate, his team underwent the near impossible task of [...]]]></description>
			<content:encoded><![CDATA[<p><img alt="" src="/Images/benjamin.gif" title="Benjamin Button" class="alignnone" width="550" height="228" /></p>
<p>A <a href="http://www.ted.com/talks/lang/eng/ed_ulbrich_shows_how_benjamin_button_got_his_face.html" target="_blank">fascinating talk</a> at the TED conference 2009 by Ed Ulbrich, president and digital-effects guru of Digital Domain, on the subject of creating Brad Pitt at ages 60, 70 and 80 for the Oscar-winning film <em>The Curious Case of Benjamin Button</em>. Deeming traditional facial motion tracking inadequate, his team underwent the near impossible task of tackling the holy grail of the CG industry &#8211; the human face &#8211; and produced a jaw-dropping performance, with Benjamin being computer generated for the entire first hour of the movie.</p>
<p>After much research, a technique dubbed <em>Contour </em>was chosen, which involved painting Brad&#8217;s face with phosphorous<em> </em>so four special HD cameras could scan and produce a real-time 3D reconstruction of the surface movements of his skin. They also created three maquettes of Brad at ages 60, 70 &amp; 80 and scanned them at very high resolution to create digital replicas. The digital maquettes were then transposed onto the contour scan to produce a CG character that mimicked Brad&#8217;s movements.</p>
<blockquote><p>Effectively we created the digital puppet that Brad Pitt could operate with his own face. There are no animators necessary to come in and interpret behaviour or enhance his performance&#8230;. we ended up calling the entire process and all the technology Emotion-capture as oppose to just motion capture.</p>
</blockquote>
<p>This is a huge break through for the CG industry and the team at Digital Domain were rewarded for their efforts on sunday with an Oscar for <em>Best Achievement in Visual Effects</em> category.</p>
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